Beholders – Crazy Alien Deathboxes

 

-Dark-Lord--Комиксы-854783If you don’t know what beholders are (the basics) you should read up on the Wikipedia article for them or even better the post at Power Score about them. Suffice to say, beholders are alien things from another dimension/reality that are not only an iconic D&D monster from way, way back, but also the feature monster on the cover of the 5e Monster Manual. They’re a signature character, as much a part of D&D as anything at all can possibly be.

Playing or deploying beholders in combat, RP-ing them so they pop and stand out is hard. Playing, say, gnolls or hobgoblins I found easier–as a DM. There’s a logic there that’s primitive for one and pretty classical for the other. Playing orcs or goblins is harder, but its still tribal and makes a “behavior of tribes” sense. Dragons are tricky to get right because they’re so large (in stature, I mean) that unless you go very BIG with the performance, you’re really just playing a mean person in the body of a dragon.

Beholders and aberrations or intelligent monstrosities are hard because they are–entirely–not human, not primate, not terrestrial. They are an alien mind. The Monster Manual tries to reflect this by emphasizing paranoia and arrogance, but I like my beholders to go to truly scary levels of alien. The less predictable, the better. The more the party feels like they cannot reliably relate to whatever a beholder thinks and feels the terror of what they see as irrationality (but is simply an alien rationality) the better.

So, here are my tips for playing beholders:

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Orcs, the Panic of Banjos

This is part of a series exploring some advice on how to use certain monsters in your games–a resource for flavor and occasional combat tips. This is from an old post, being reposted–I expect I’ll revise in the near future.

By and large, I think most people feel they have a grasp on most monsters–so I don’t want anyone thinking my takes on these things are me saying how things SHOULD be… I only want to talk about how they CAN be.

To that end. Orcs. I think for those influenced by classic fantasy, Orcs are like Lord of the Rings creatures or maybe something from WoW–I was never exposed to anything fantasy before D&D and even then, never really anything in the high-fantasy settings (like Forgotten Realms). So, what I made of Orcs (and how I think of them) is driven by sort of a natural analogue.

In my games, I treat orcs as something very much like the most dangerous imagining of an Appalachian hillbilly possible. I think positioning them like this offers a few huge advantages to natural role-play…

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Making Mundane Combat Useful and Storyful

One can’t just line up CR’s in order of lowest to highest and run every game like a prolonged episode of the Power Rangers where you fight the easy then the medium then the hard then the hardest… you can, I guess, but I’m probably in good company suggesting that you shouldn’t.

However, what really can you do with Bandits and Brigands over and over.  Oh, some guards… and then?  More guards?  That’s a bit uninteresting.  Here’s what I suggest for most DM’s to add some flavor to your more mundane combats and give the players a chance to add some “knowing” to their PC’s.

A brief aside…

“Knowing” is what I call “when a PC acts like a character in that world and place should act, without having to tell the player to make his character act that way”.  If a player read the campaign book front to back and memorized all the important and interesting parts, they’d “know” a lot.  Their character could “know” a lot of stuff that would be normal for that character (in the story) to know. 

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This Is What Dragons Actually Believe: A Draconic Creation Myth

Every intelligent creature will on occasion consider its place in the universe, and this is doubly true in a world where gods might walk the earth while mortal magicians can toy with the very forces of creation.

So what must dragons think of all these ridiculous humanoid beings claiming to be at the center of fate, divinity, and power?

An earlier post discussed one way of playing a dragon, and suggested that their perspective might grow from a deep-rooted confidence in their superiority. Dragons are ridiculously long-lived and may reach levels of individual power few other sapient beings can dream of, and might see themselves as expressions of a more primal sort of divinity than what you see in the mortal pantheons.

Below is a general creation myth that might be believed by dragons in a variety of different fantasy settings… and may even be more true than the one held by the gods.

Just don’t try to get in a religious debate with one of their fundamentalist types.

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Goblins, the Great Bastards

This is part of a series exploring some advice on how to use certain monsters in your games–a resource for flavor and occasional combat tips.

Where are they?

I like to think of goblins as being the fantasy equivalent (where possible) of the old slum and street gangs of England and the United States in the late 1700’s and 1800’s. So, I try to have them in numbers, force, and establishment. They’re not “everywhere”, they really only pop up in places overrun by disease, mortality, poverty (in the extreme), prostitution, and low-resources. Continue reading

Playing a Dragon

THIS IS PART OF A SERIES EXPLORING SOME ADVICE ON HOW TO USE CERTAIN MONSTERS IN YOUR GAMES–A RESOURCE FOR FLAVOR AND OCCASIONAL COMBAT TIPS.

After being asked about the one we had in LMoP in our game, and how we wrote up the story of the encounter on our game’s Obsidian Portal, I decided to make a crib notes about how I treat dragons in my games.

Notably, this is just my take, and how I like to imagine them. Even (by and large, with some motivational changes and somewhat less blood) the “good” ones. I like them as the most scary and dangerous thing in the whole damn world–where a party is inclined on first thought (always) that running away or giving up is the only right answer (even if that’s not the second thought or possible).

So, RP Tips for Dragons

  1. They are born into a “society” amongst their own kind that reinforces (at the very beginning) that they are the “Titans” to the deities of the worlds’ “Greek Gods” status. From birth, they know–and know to their bones–they are simply another form of supremacy in the world. Some may see that as a temporal/material mastery of the creatures it is aware of around it like a city or a race, Some may see that as a spiritual mastery of the creatures it meets. Or a Darwinian one.
  2. They murder. Killing is something animals do, they end lives as an almost pubescent tendency. They’re intelligent enough to know and appreciate that they are the great enders of life, whenever they want. Some may also give themselves the idea that they might bring it, but their first true “steps” like a baby walking are learning how frail every living thing is and having little doubt about it. Even the not-brutal-killer ones are still fantastically aware and able and likely to snuff out a life that isn’t agreeable. There are always more, there is never consequence.
  3. They are given no attachments. They don’t have “parents”. They don’t keep “communities”. They probably rarely see another of their kind after their most juvenile stages of growth. They are the great incubators of anti-social behavior. The world is their world and beyond their sphere of perception and interest, there is no world. While intelligent enough to know there IS a world out there, from a psychological-habit they live as though the universe gives birth to new distractions and challenges all the time–almost randomly. It’s a lot like playing a “tower defense” flash game and having half your defenses already built up to max. Amusing. Boring. The things that come are food or possessed of riches, they’re not “real”. They’re meat with opinions. They’re sprites in a game. Its charming and likely to talk to a parakeet as though it’s a person, but it’s not one.
  4. There is no empathy. They don’t kill to get wealth. They don’t subjugate to hold political power. They don’t even really terrorize to create a legend of themselves. They do them because Agony, loss, fear… they’re just reactions in the world around them little different from a boulder rolling down a mountain and being smashed apart by the fall. They might be fascinated by the physics and show of it–may cause it so they can see it again–but they don’t care about the implications for the boulder or what it says about them that they tip them off ledges. Even the not-so-brutal ones would only at best sympathize (offer an intelligent condolence), but they are not capable of seeing themselves as others.
  5. Their victims (either of subjugation or death) are almost experiments in testing the limits of the world around them. A tribe of orcs that are made to worship some dragon, they’re an attempt to build a Lego tower and will as easily be smashed apart when its done or boring. They pull the wings off of flies, metaphorically. They are as likely to let you go be interesting for a few more minutes as they are to hold your mouth shut (and hold head in hand) while it tears your limbs off one by one so it isn’t bothered by the screams. Why burn the landscape? Because it burns. Why not burn the landscape? Because what’s the point? None of that is about real appreciation for consequence and tiny atrocities or morality.
  6. They have lives. They are more than their apparent habits. They factor into some version of the world in their own minds and many of their trappings (lairs, gold hoards, followers, arcane collection, even advising the villainous on greater villainy, etc.) are their attempt at some normalcy. It is the comfort. If asked, if it were ever possible to ask, they’d acknowledge that they don’t actually need that city over there to bring it food or tribute yearly–but its something they do because it’s what they should do. They would explain the desire to be formally worshipped by some tribe as a god as simply the role it plays in the world. For their brilliance, there is no depth to the things they do like this, and they don’t self-analyze it. They wouldn’t say their nature is to be a dragon, they’d say their nature is to be a “king/god/terror/plague/morality-tale/saint/martyr”.
  7. They often like companions, but almost always broken and incomplete people who can’t function on their own. Servants are common (though often short-lived) and they quickly exist as an extension of the dragon’s insanity. They begin to think of their own lives as merely a subset of their masters. Even more feral dragons have these “chittering mice” around them that exist only to help with the details. It is a misnomer to think they’re ever alone–they don’t let people “leave”.
  8. They are not animals. The brutality they have and serve is intentional and controlled, even in rage it is tempered by brilliance. Once of an age (adulthood, truly), they have taken care to craft a world around them (for miles even) that nurtures and protects and provides. Seeing a dragon’s lair means you’re already well within the bounds of its domain and surrounded by a disadvantageous environment that is its own toy. Anything with an intelligence score in a three-mile radius is either its minion, its sycophant, its sworn enemy, or exceptionally good at hiding. The lair is theirs, but the /area/ necessarily must be as well.
  9. They fight as a player (not a PC) would fight. They eliminate the weak, they confound and dismantle parties, they leverage weaknesses they see, they are a brilliant tactician and army rolled into one. Ground, advantage, crippling being often as good as death, concentrating firepower on the center mass… one dead priest can condemn an entire party, one spellcaster caught beneath a pile of rubble can spell the doom of everyone else. Ignoring the things swords (and glowing ones, particularly) can do? Foolish. They are the Hannibal Lector of monsters.

Running Hobgoblins

THIS IS PART OF A SERIES EXPLORING SOME ADVICE ON HOW TO USE CERTAIN MONSTERS IN YOUR GAMES–A RESOURCE FOR FLAVOR AND OCCASIONAL COMBAT TIPS.

So, I like to take intelligent, lawful evil things seriously. Very seriously. Like Dr. Doom seriously. Hobgoblins being the more featured “antagonists” of Kalamar (the setting we in my group play most of our games) it requires breaking down ways to make them more than just “slightly less barbaric orcs”. I would recommend running Hobgoblins in certain ways–especially with 5e’s rules now about them–to really step up how scary they should be to your players.

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